‘Brown Nation’ Brings Quirky Indian-American Comedy to Netflix

Monica Luhar for NBC Asian America, January 4, 2017

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In 2007, director-writer Abi Varghese spent his weekends tossing around ideas with friends for a possible sitcom that would chronicle some of their shared experiences of growing up Indian in America.

“We were doing this out of our parents’ living room and we were really just starting out and trying to figure out how to tell a story [with] not much of a budget,” Varghese told NBC News.

Those conversations eventually became the inspiration for “Akkara Kazhchakal,” a Malayalam-language sitcom that landed a 30-minute slot on an Indian television station for several seasons.

“That really took off after we put it on air and YouTube and it kick-started our career because it went viral and everyone was talking about it,” Varghese said.

After receiving positive feedback for the series (and millions of hits on YouTube), Varghese and his colleagues shifted their attention into launching a new comedy series that would appeal to a broader audience.

Brown Nation,” which was released on Netflix on Nov. 15, 2016, zeroes in on the story of Hasmukh (played by Rajeev Varma) — the owner of an IT consulting firm, Shree Ganesh Computers Limited Inc.

Hasmukh attempts to balance work-life troubles in Queens, New York, while keeping the romance alive with his artist-actress wife, Dimple (played by Shenaz Treasuryvala ), and living under the same roof with his father-in-law, Papaji (Kapil Bawa).

For much of the series, Hasmukh is the root of Papaji’s stress (Papaji’s heart monitor almost always beeps the second Hasmukh enters the room).

Some of the early scenes in the series focus on newly-wed issues and dealing with in-laws as well as the day-to-day challenges of running a small business (training new recruits and transforming the office during a video conference call to ensure that the company appears “American”).

The 10-episode comedy-drama lightly touches upon arranged marriage, but tries not to focus too much on the subject, because it’s a topic that has been overdone, according to Varghese.

Dimple (played by Shenaz Treasuryvala), Hasmukh (played by Rajeev Varma), and Papaji (played by Kapil Bawa) in a still from “Brown Nation” Photo by Abi Varghese / Brown Nation

“We wanted to hone in on other things that haven’t been talked about,” he said. “One of it was Hasmukh going on a spiritual quest and the relationship between going from a peanut business to an IT business … There’s a lot of entrepreneurs that are taking their old businesses and revamping it.”

During the writing process, the team didn’t set out to make anything revolutionary, or to make any big statements, Varghese said. The series was more of an opportunity to put 22 minutes of entertaining and relatable comedy out there for the world to watch. The team was also careful not to exaggerate or portray the characters in the series in an unrealistic manner.

“We never wanted to become caricatures. Whenever we write an episode we try to make sure there’s some level of truth in it,” Varghese said. “We try to make the characters quirkier, but the situations are always true to real life.”

Varghese calls “Brown Nation” a mix between “Everybody Loves Raymond” and “The Office.” The series features a cast of Bollywood and Hollywood actors, including Omi Vaidya (from Bollywood film “3 Idiots”), Kapil Bawa, Melanie Chandra (“Code Black”), Jonathan Horvath, and others.

“When we got into casting aspect we tried to get as many diverse and different type of actors to play it so that we mix up the comic timing,” Varghese said.

At times, Varghese didn’t know how well the series would be received, or whether the jokes would fall flat. In the editing room, the “Brown Nation” team went back and forth on whether to omit or keep certain scenes that were targeted toward an Indian audience.

“When we started out, we didn’t know what the audience would be: An American or Indian audience?” Varghese said. “There’s lots of jokes that are very Indian-specific, and then there are jokes that are very American-specific and we wanted to mix it that even if you don’t get the jokes, you’ll get vice versa.”

While Netflix green-lit 10 episodes of the independent production, the series was a difficult pitch to other platforms, according to Varghese.

He and his team initially started pitching “Brown Nation” to mainstream Indian platforms such as Star India and Zee TV, but hit dead ends once they realized the networks were looking for an Indian soap opera.

“It’s not American, it’s not Indian. It’s kind of stuck in between,” he said. “That’s when we saw that Netflix was opening its doors to India and other parts of the world and we pitched it and they seemed interested.”

It took approximately four to five months to write “Brown Nation,” followed by 30 days of shooting the series in 2014 in Queens, Brooklyn, and New Brunswick, Varghese said.

Netflix picking up the series is a hopeful sign for independent filmmakers and another step into offering a variety of diverse content to audiences, according to Varghese.

“This is still an independent production and that’s what I’m most proud of… this really opens the doors for a lot of independent filmmakers,” he said. “I think the fact that Netflix and other platforms are open to such content is a big sign that we are headed in the right direction and in terms of diversity, and also as an independent filmmaker, I think it’s good on both sides.”

Varghese noted that series like “The Mindy Project” and “Master of None” have tremendously paved the way for South Asian representation, but while there is progress, there are more stories to tell.

“Our show is a little bit quirkier, I don’t think it’s as drama driven as the other two shows, but I think there’s a lot more stories that we’re able to explore,” Varghese said.

From left: “Brown Nation” cast members Sana Serrai, Remy Munasifi, Shenaz Treasuryvala, and Rajeev Varma Photo by Abi Varghese / Brown Nation

Varghese is hoping for a second seabrownnation3_457cbcaac3bed372569c6e110b5b1e19.nbcnews-ux-2880-1000.jpgson of “Brown Nation,” but for now, he’s focusing his efforts on another series called “Metropark.” He hopes to hold off on “Brown Nation” and take a closer look at the type of feedback the series elicits to see if there’s enough substance for another season.

“I just want to make sure that people, when they hear ‘Brown Nation,’ to get a smile out of it….just trying to make 22 minutes that would put a smile on people’s faces after a rough day or something you can watch with your family that doesn’t have any sexual innuendos or fights. Just plain, simple, comedy,” Varghese said.

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This 85-year-old woman was the perfect flower girl for her best friend’s wedding

Monica Luhar for Hellogiggles, Dec. 1, 2016 

 We’re convinced that age is clearly just a number and friendships can bloom at any given time, even in the most random places.

And that’s exactly what happened when 85-year-old Dee Cooper and best friend Theresa Whitehead from Delaware met at a local band performance nearly decades ago, CBS Philly reported. And today, they are the definition of #bestiegoals, with 85-year-old Dee as the flower girl at Theresa’s wedding.

“We met when we were visiting my brother’s band and her nephew was playing as well… And I met Dee and I was like, ‘oh my gosh.’ I fell in love with her the second I met her,” Whitehead told CBS Philly.

At the time, Cooper was 48 and Whitehead was 14, according to CBS News.  The two women instantly grew fond of each other and knew they would be besties for the long run — regardless of their age difference or what anyone thought of their friendship.

They continued to celebrate their unique friendship and bond of sisterhood as they embarked on yard sale adventures and sleepovers. What they have is truly beautiful as captured in this heartwarming video interview by CBS Philly.

When Whitehead started planning her November wedding, Cooper immediately came to mind as the perfect flower girl for her Big Day.  She knew she had to ask her.

“I met this amazing person that I want to spend the rest of my life with and my next thought was, ‘Dee has to be our flower girl,’” Whitehead told CBS Philly.  Cooper happily agreed as she walked down the aisle, waving and throwing flower petals for her bestie’s ’80s themed wedding.

One of Cooper’s fears was the possibility of not being able to make it down the aisle as a flower girl, as she recently turned 85 on November 28th, she told CBS Philly.

These inseparable ladies have shown the world how awesome and refreshing it is to be friends with someone who is much younger or older than you. Age should never be a factor.

“Well, let’s put it this way, I’m so much more comfortable around young people than old people,” Cooper told CBS Philly.

This isn’t the first time the concept of flower girl has taken a new spin — remember the adorable story of another octogenarian — Stanley aka the “flower grandpa,” who took on flower girl duties at his granddaughter’s wedding.